Taksim Meydan\u0131 ve etraf\u0131ndaki Beyo\u011flu-Pera b\u00f6lgesi, \u0130stanbul\u2019un sanat ve e\u011flence merkezleridir.<\/p>\n
T\u00fcrk gen\u00e7li\u011finin, ayd\u0131nlar\u0131n, sivil toplum \u00f6rg\u00fctlerinin ve sanat\u00e7\u0131lar\u0131n duyarl\u0131l\u0131\u011f\u0131, sadece \u00fclke \u00e7ap\u0131nda de\u011fil, t\u00fcm d\u00fcnyada, \u00f6zg\u00fcr konu\u015fma, bar\u0131\u015f ve demokratik dayan\u0131\u015fman\u0131n simgesi haline gelmi\u015f Gezi Park\u0131\u2019n\u0131n korunmas\u0131na y\u00f6nelik bir tepkidir. O \u015fehirde ya\u015fayan insanlar\u0131n t\u00fcm tepkilerine ra\u011fmen bir park\u0131n h\u00fck\u00fcmet taraf\u0131ndan imha edilmesi kabul edilemez.<\/p>\n
Ayr\u0131ca, polis ve protestocular aras\u0131ndaki \u00e7at\u0131\u015fmalarda polisin orant\u0131s\u0131z g\u00fc\u00e7 kullan\u0131m\u0131, biber gaz\u0131n\u0131n eylemcilere kar\u015f\u0131 tehlikeli oranlardaki kullan\u0131m\u0131 uygulamalar\u0131 da kabul edilebilir de\u011fildir. T\u00fcrk H\u00fck\u00fcmeti ile Gezi Park\u0131\u2019yla ba\u015flay\u0131p b\u00fcy\u00fcyen protesto grubu aras\u0131ndaki gerginli\u011fin, bir park meselesinden \u00e7ok daha derin oldu\u011fu a\u015fik\u00e2rd\u0131r. IAA, laik ya\u015fam bi\u00e7imleri, ifade \u00f6zg\u00fcrl\u00fc\u011f\u00fc ve demokratik haklar\u0131n kullan\u0131lmas\u0131na y\u00f6nelik olarak tekrarlanan sald\u0131r\u0131lardan endi\u015fe duymaktad\u0131r. T\u00fcrk h\u00fck\u00fcmetinin di\u011fer gruplar\u0131n ya\u015fam bi\u00e7imini de\u011fi\u015ftirmeye y\u00f6nelik \u0131srarc\u0131 tutumu kar\u015f\u0131s\u0131nda, 2010 y\u0131l\u0131nda Bratislava\u2019daki Avrupa IAA toplant\u0131s\u0131nda y\u00fcr\u00fcrl\u00fc\u011fe giren karar\u0131 hat\u0131rlatmak isteriz:<\/p>\n
“Farkl\u0131 ya\u015fam bi\u00e7imleri, k\u00fclt\u00fcrler ve dinler aras\u0131nda \u00e7at\u0131\u015fmalar ortaya \u00e7\u0131kt\u0131\u011f\u0131nda sadece dini olanlar de\u011fil, t\u00fcm ya\u015fam bi\u00e7imleri dokunulmaz ve kutsal say\u0131lmal\u0131d\u0131r. Bir sanat\u00e7\u0131n\u0131n veya \u00e7a\u011fda\u015f, laik ve demokratik bir kimsenin hak ve \u00f6zg\u00fcrl\u00fckleri, bir dine inananlar\u0131n hak ve \u00f6zg\u00fcrl\u00fckleri kadar dokunulmazd\u0131r”<\/b><\/p>\n
T\u00fcrk H\u00fck\u00fcmeti’nin ve \u0130stanbul Belediyesi’nin \u0130stanbul halk\u0131n\u0131n talebini dikkate almas\u0131 gerekti\u011fi ortaya \u00e7\u0131km\u0131\u015ft\u0131r.\u00a0H\u00fck\u00fcmet, \u00fclkede demokrasinin, karde\u015flik ve bar\u0131\u015f\u0131n kal\u0131c\u0131 gelece\u011fi ad\u0131na, ifade \u00f6zg\u00fcrl\u00fc\u011f\u00fcne, laik\u00a0ya\u015fam bi\u00e7imlerine m\u00fcdahale etmemeli, kar\u015f\u0131l\u0131kl\u0131 sayg\u0131 \u00e7er\u00e7evesinde taleplerini dile\u00a0getirenlere kesinlikle kaba g\u00fc\u00e7 kullanmamal\u0131d\u0131r.<\/p>\n
<\/p>\n
IAA\/UNESCO D\u00dcNYA (ULUSLARARASI SANAT B\u0130RL\u0130KLER\u0130) Y\u00dcR\u00dcTME KURULU<\/p>\n
Rosa Maria Burillo Velasco<\/p>\n
Ba\u015fkan<\/p>\n
<\/p>\n
\u00dcyeler:<\/p>\n
Bedri Baykam<\/p>\n
Dev Chooramun<\/p>\n
Kan Irie<\/p>\n
Anders Lid\u00e9n<\/p>\n
Anton Loubser<\/p>\n
Grete Marstein<\/p>\n
Anne Pourny<\/p>\n
Ulises Rom\u00e0n<\/p>\n
Christos Symeonides<\/p>\n","protected":false},"excerpt":{"rendered":"
Taksim Meydan\u0131 ve etraf\u0131ndaki Beyo\u011flu-Pera b\u00f6lgesi, \u0130stanbul\u2019un sanat ve e\u011flence merkezleridir. T\u00fcrk gen\u00e7li\u011finin, ayd\u0131nlar\u0131n, sivil toplum \u00f6rg\u00fctlerinin ve sanat\u00e7\u0131lar\u0131n duyarl\u0131l\u0131\u011f\u0131, sadece \u00fclke \u00e7ap\u0131nda de\u011fil, t\u00fcm d\u00fcnyada, \u00f6zg\u00fcr konu\u015fma, bar\u0131\u015f ve demokratik dayan\u0131\u015fman\u0131n simgesi haline gelmi\u015f Gezi Park\u0131\u2019n\u0131n korunmas\u0131na y\u00f6nelik bir tepkidir. O \u015fehirde ya\u015fayan insanlar\u0131n … Devam\u0131\u0130STANBUL TAKS\u0130M MEYDANI\u2019NDA DEVAM EDEN KR\u0130Z SEBEB\u0130YLE IAA\/UNESCO D\u00dcNYA (SANAT B\u0130RL\u0130KLER\u0130) Y\u00dcR\u00dcTME KURULU, A\u015eA\u011eIDAK\u0130 KARARI ALMI\u015e BULUNMAKTADIR<\/span><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-337","post","type-post","status-publish","format-standard","hentry","category-genel"],"_links":{"self":[{"href":"https:\/\/www.upsd.org.tr\/index.php?rest_route=\/wp\/v2\/posts\/337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.upsd.org.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.upsd.org.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.upsd.org.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.upsd.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=337"}],"version-history":[{"count":1,"href":"https:\/\/www.upsd.org.tr\/index.php?rest_route=\/wp\/v2\/posts\/337\/revisions"}],"predecessor-version":[{"id":338,"href":"https:\/\/www.upsd.org.tr\/index.php?rest_route=\/wp\/v2\/posts\/337\/revisions\/338"}],"wp:attachment":[{"href":"https:\/\/www.upsd.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.upsd.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.upsd.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}